Professor John A. Vucetich, Michigan Technological University
Restoring the Balance: Lessons from Wolves on a Wilderness Island
5pm, 25 March 2019, Roger Stevens LT 15 (11.15)
Professor Vucetich will review the ecological science to emerge from the wolves and moose of Isle Royale National Park. The project – entering its sixth decade – is the longest continuous study of any predator-prey study in the world. Vucetich will also highlight some implications of the research for the broader relationship between humans and nature.
Biography: John A. Vucetich is a professor at Michigan Technological University, where he teaches population biology and environmental ethics. He leads the Isle Royale Wolf-Moose Project and has authored more than 100 scholarly publications on topics, including wolf-prey ecology, extinction risk, population genetics, and environmental philosophy. According to the ISI Web of Science, he is the third most productive and cited scholar in the world with respect to the ecology of wolves for the period 1997-present (the period of time covering his professional career). His work in environmental philosophy includes topics such as the endangered species law, wilderness, conservation triage, advocacy by scientists, hunting and more. His ability to relate science and ethics has captured the attention of scholars, the general public, and governments around the world.
Please register your attendance via Eventbrite: https://www.eventbrite.co.uk/e/prof-john-vucetich-michigan-tech-restoring-the-balance-lessons-from-wolves-on-a-wilderness-island-tickets-58275780428
Dr Sarah Bezan – School of English Literature, Language and Linguistics, The University of Sheffield
Regenesis Aesthetics: Visualizing the Woolly Mammoth in De-Extinction Science
Wednesday 13 February, 1-2pm
Hillary Place SR G.18
Abstract: Examining a range of artistic media that depicts the de-extinction of the woolly mammoth, this talk will explore the resurrective ethos that undergirds what I have termed “regensis aesthetics.” In calling upon the title of George Church’s co-authored book, Regenesis: How Synthetic Biology Will Reinvent Nature, regenesis aesthetics explores the jointly scientific and artistic remaking of the beginning and end of species in the paleontological imagination. Through an iconographical analysis of hyper-realistic digital images, naturalistic paintings, and speculative exhibitions by artists Chris Buzelli, Raúl Martin, Lisel Ashlock, and the artist collective at The Centre for Genomic Gastronomy, this talk will illuminate the creativity and variability of de-extinction science itself, which inspires the reanimation of the woolly mammoth in pictures and (ostensibly in the near future) in the flesh.
Bio: Sarah Bezan is a Newton International Fellow at The University of Sheffield Animal Studies Research Centre. She is the co-editor of Seeing Animals After Derrida (Lexington Books Ecocritical Theory & Practice Series, 2018) and a forthcoming special issue of Configurations: Journal of Literature, Science, and Technology on “Taxidermic Forms and Fictions” (March 2019). Her current research project, Regenesis Aesthetics: The Art and Literature of De-Extinction Science, focuses on visual cultures of extinction and species revivalism in contemporary literature and art.
Caitlin Stobie – School of English, University of Leeds
Abortion and Animals
1-2pm, Wednesday 23 January
Alumni Room, School of English, 10 Cavendish Road
Abstract: There are two billboards near Niagara Falls Bus Station in Canada. The first displays a familiar anti-abortion campaign: with a silhouette of a pregnant woman cradling her belly, it asks, “Why can’t we love them both?”. Separately, yet not three feet away, there is a billboard with a photoshopped ark of animals and the simple question, “Would you let them be stranded?’”. Engaging with queer theorist Astrida Neimanis’s concept of ‘posthuman gestationality’, this paper analyses how narratological representations of human reproductive choices and domesticated nonhuman bodies are consanguineously linked. Beginning with a discursive analysis of the billboards, I argue that anti-abortion propaganda and animal welfare campaigns reproduce imagery of non/human gestationality for a counter-intuitively common purpose: the naturalisation of certain belief systems. In Sherry F. Colb and Michael C. Dorf’s 2016 monograph Beating Hearts: Abortion and Animal Rights, the vegan authors argue that sentience should be considered more important than legal or moral personhood when regarding interspecies ethics at the beginning and end of life. Yet sentience is infamously difficult to quantify, as illustrated by the fact that few studies of moral cases for abortion have analysed instances of embryonic diapause and miscarriage in mammals. This paper challenges the invisibility of nonhuman animals in mainstream abortion activism by providing an overview of the material history of terminated gestations in nature. It further explores what this history implies for the future of the so-called abortion debate. Finally, analysing literary narratives that intermesh humans’ and nonhumans’ terminations of pregnancy, the paper concludes that artistic representations of animals can incite us to imagine abortion differently – by showing that this supposedly ‘human matter’ is natural.
Bio: Caitlin Stobie is a doctoral researcher at the University of Leeds, where she is co-founder of the Leeds Animal Studies Network. She has published articles and book chapters on vegan studies in ISLE: Interdisciplinary Studies in Literature and Environment and Through a Vegan Studies Lens: Textual Ethics and Lived Activism (University of Nevada Press, 2019). She is currently co-organising a conference on the intersections between animal studies and modernism, titled Beastly Modernisms, which will be hosted at the University of Glasgow in September 2019.
Professor Dolly Jørgensen – University of Stavanger, Norway
Searching for the Last and the Emotions of Extinction
22 November, 4.30-6pm, Clothworkers North Building LT (G.12)
We have organised a drinks reception in The Faversham afterwards so that we can continue the discussion in a more informal setting.
Abstract: To recognise that an animal is the last of its kind means that it is still alive, but when it dies, there will be no more. When standing at the precipice of extinction, contradictory emotions can come to the fore: hope and despair. There can be hope that more animals will be found; despair that none will be. In this lecture, I will use the historical cases of the local extinction of the beaver in Sweden and the global extinction of the thylacine in Tasmania to discuss how these two emotions intersected and spurred people on their searches for the last. I advocate integrating the history of emotions into our environmental history narratives in order to understand motivations for animal conservation.
Speaker bio: Dolly Jørgensen is Professor of History at University of Stavanger, Norway specializing in histories of environment and technology. Her scholarship is unconstrained by typical periodization boundaries: she is just as comfortable writing about 11th century forest management or 15th century urban sanitation as she is writing about 20th century offshore oil operations or contemporary efforts to resurrect extinct animal species. Her current research agenda focuses on cultural histories of animal extinction and recovery. Her book on that topic, Longing and Belonging: Recovering Lost Species in the Modern Age, will be coming out with MIT Press in 2019. She has previously co-edited two volumes at the envirotech intersection—New Natures: Joining Environmental History with Science and Technology Studies (2013) and Northscapes: History, Technology & the Making of Northern Environments (2013)—and one volume in premodern studies, Visions of North in Premodern Europe (2018).
Rosamund Portus, PhD student in the Department of Theatre, Film and Television, University of York, will be joining us on 7 November for our first seminar of the 2018/19.
Stories of Extinction: The Role of Creativity in Responding to and Resisting the Decline of Bees.
Her presentation will focus on her research so far, thinking through the role of creativity in ecological issues (specifically the loss of bees). She will be talking about the ‘extinction studies’ genre, reasons for the loss of bees, environmental communication, and the research she has been conducting with creative practitioners.
Rosamund Portus is a second year PhD student at the University of York. Rosamund works in the environmental humanities, specialising in extinction studies. Her PhD research asks how the potential extinction of bees has prompted creative practice. More specifically, she studies how people are using creative practices to narrate, discuss, experience, challenge and potentially resist the decline of bees. Rosamund is part of the WRoCAH Extinction Network, which entails working alongside two other postgraduate researchers at the Universities of Leeds and Sheffield.
1-2pm, SR 11 Emmanuel Centre, 1a Cavendish Road
Ahead of (what was meant to be) our final seminar next week Wednesday with Dr André Krebber, LASN is delighted to announce that we have a surprise guest speaker.
Please join us on Friday 25 May at 1pm in Baines SR G.37 to hear about:
Dr. Christabelle Sethna
Professor, Institute of Feminist and Gender Studies
University of Ottawa
Presenter: Dr. Christabelle Sethna is a Professor in the Institute of Feminist and Gender Studies, University of Ottawa, Canada. She is a historian, and has published widely on the history of women’s reproductive health. Her new work is on representations of animals and human-animal relations. Her chapter in Animal Metropolis considers the racialised memory of Jumbo the elephant in St Thomas, Ontario.
Free PDF copies of the book are available here, for those who may be interested.
We look forward to seeing you next week at 1pm next week in Clothworkers North Building LT Cinema 2.31 for André’s talk, and then on Friday the 25th with Christabelle for our final seminar of the year.